日々の制作について（３）

ここ何日かアクリル絵具はお休みして岩絵具などの日本画用画材を用いて作品を制作しています。アクリル絵具の伸びやかな感触とは異なり番手によって質感や色が変化する岩絵具は描いていて色の重ね具合など予測不可能なところがあるので途中良くなったりう〜んと考え込んでしまう場面も出てきます。仕上がりの点から見ると岩絵具は柔らかな印象で、アクリル絵具は余白が多いせいかパキッとするなと思っています。どちらも自身のテーマとする「光と色彩」を表現できるので好きですがたまに色の印象など違いすぎるなと感じる事もあり同一人物の描く絵と認識してもらえるかな？と少し不安になります。表現したい事に素直になり、どちらの画材で描くのが最適なのか画材と相談して変化も楽しみつつ進めていきたいです。ちなみに彩色したところは対象物など、白い部分は光を表しています。

Acrylic paint has been closed for several days and I am working using Japanese painting materials such as natural pigment. Unlike the elastic feeling of acrylic paints, there are scenes in which natural pigment with texture and color change depending on their counts are drawn and there are unpredictable areas such as color overlap, so some scenes that are supposed to get better in the middle I will. From the point of view of finish, the natural pigment is a soft impression, I think that the acrylic paint will make it a lot of margin. As both can express their own theme "light and color", I like it, but sometimes I feel that the impression of color is too different, can someone recognize me as a picture of the same person? And a little uneasy. I want to express myself what I want to express, I would like to promote change while also consulting with the painting materials as to which drawing material is best for drawing. Incidentally, where the coloring is done, objects and so on, white parts represent light.

#画材について#日々の制作について